Cot - The Storm (1880)


Pierre-Auguste Cot (1837-1883)
“The Storm” (1880)
Oil on canvas
Metropolitan Museum of Art, New York City, New York, United States

Cot was born in Bédarieux, Hérault, and initially studied at l'Ecole des Beaux-Arts in Toulouse before going to Paris. He studied under Leon Cogniet, Alexandre Cabanel and William-Adolphe Bouguereau. In 1863 he made a successful debut at the Salon, and from the 1870s, his popularity grew quickly.

Cot enjoyed the patronage of the academic sculptor Francisque Duret, whose daughter he married, and of Bouguereau, with whom he had also worked. Bouguereau painted a portrait of Cot's daughter, Gabrielle. Bouguereau had dined with the Cot family to celebrate Gabrielle's marriage to an architect named Zilin. The artist made a gift of the painting to the wife of Duret, Gabrielle's grandmother.[1]

Cot won various prizes and medals, and in 1874 was made Chevalier of the Legion of Honour.

He died in Paris at the age of 46. He is buried at the Père Lachaise Cemetery (source)

The painting is reminiscent of an earlier work, Spring, which was completed by Cot in 1870. It was subsequently acquired by John Wolfe after it was displayed with astounding success at the Salon of 1873. It is believed that the presence of Spring in Wolfe's collection was the impetus that drove his cousin, Catharine Lorillard Wolfe, to purchase it in 1880. Both are of roughly the same dimensions and are evidently related in a subject in the sense that both portray a young, nubile couple. It is from this therefore, that both are thought to form a symbiotic pair, where the success of the earlier work led to the creation of the latter. (source)

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"Le poète ne retient pas ce qu’il découvre ; l’ayant transcrit, le perd bientôt. En cela réside sa nouveauté, son infini et son péril"

René Char, La Bibliothèque est en feu (1956)


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