Carnaval in Rio - Photos

very nice, and sensual

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A Short History of America (Robert Crumb)

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Philip Jones Griffiths - Photos and contradictions

magnum photos

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GB. NORTHERN IRELAND. The incongruities of daily life in the urban war zone. For years, the people of Northern Ireland have lived in a strange and strained symbiosis with the occupying British army. 1973


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VIETNAM. The battle for Saigon. 1968


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CAMBODIA. This amphibious assault was to establish a beachhead for a barbecue. Vast quantities of meat and beer were consumed while local Vietnamese looked on. Such activities were prompted to engender morale among the troops and to expose the Vietnamese to what was considered the superior American ways of life. 1970

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Philip Jones Griffiths - photojournalist

The first picture of his I ever saw was during a lecture at the Rhyl camera club. I was 16 and the speaker was Emrys Jones. He projected the picture upside down. Deliberately, to disregard the subject matter to reveal the composition. It's a lesson I've never forgotten. [about Henri Cartier-Bresson]

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Expositions on Telegraph, BBC, Digital Journalist. Interviews on GNN, DG, Photohistories.

Alas, nomenclature is sadly lacking in the field of ‘art’. Am I a news photographer? A press photographer? A photojournalist? An artist? I deplore the latter moniker because the word is so misused. For me, art is the melding of form and content, and as that is what I strive to do then perhaps ‘artist’ is correct. But I’m happy to be called a photojournalist!

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Van Gogh - The world in colors

van gogh gallery

And my aim in my life is to make pictures and drawings, as many and as well as I can; then, at the end of my life, I hope to pass away, looking back with love and tender regret, and thinking, 'Oh, the pictures I might have made!'" Vincent van Gogh, Letter 338 (19 November 1883)


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Annabel Mehran

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Pushpininc - Drawings and paintings

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No link between Saddam Husseim and Al Qaeda

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Cinq ans après le début de la guerre en Irak, cette étude, basée sur l'analyse de 600 000 documents officiels irakiens et sur des milliers d'heures d'interrogatoires d'anciens collaborateurs de Saddam Hussein, indique n'avoir "trouvé aucun lien direct entre l'Irak de Saddam et Al-Qaida". [Le Monde]

 

Sponsored by the Pentagon, the report found no "direct operational link" between Saddam's government in Iraq and bin Laden's Al Qaeda terror ring before the U.S. invasion, an official told McClatchy.

The Bush administration put forth the argument that there was a connection between Saddam and bin Laden when it made the case to go to war with Iraq after the Sept. 11, 2001, terrorist attacks on the United States. [Fox News]


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Baltazar Torres - Painting and Compositions

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Artist:BALTAZAR TORRES
Title:the world belongs to me (Flag)
Year:2005
Tech:plomb painted
Size:28x50 cm

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Artist:BALTAZAR TORRES
Title: Prozac
Year: 2004
Tech: Wood, plastic and plomb

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Artist:BALTAZAR TORRES
Title: Cuevas Urbanas, nuevas cartografias
Year:2003
Tech: Brick, wood and PVC



Colmena / Amor
(“love” from the series “beehive”)
2004
wood, PVC, aluminium, cables, steel, tin, acrylic, oil
61 x 80 x 21 cm


The works of Baltazar Torres open up critical, often political discourses in intently designed spaces. By radically reducing the scale of his figures and settings, he manages to show whole worlds, and allows the spectator to take up a new perspective. Often employing irony to make his point, he creates small, even cute-looking architectures and rooms, equipped with simplified symbols, and he works with easily recognizable, highly connoted images like tanks, maps, or garbage bags. But while his confrontations or combinations may at first seem obvious, they give rise to critical questioning.

Contentwise, Torres is clearly positioned in the present. His works investigate the way in which humans deal with their environment, and explore processes of mapping and re-mapping, examining the relevance of geography and cartography to establishing a nation. He makes the spectator look critically into the relationship of power and subjugation, see individual behaviour in the context of universal calamities and perceive the world in all its large - or small - size. [source]


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"Le poète ne retient pas ce qu’il découvre ; l’ayant transcrit, le perd bientôt. En cela réside sa nouveauté, son infini et son péril"

René Char, La Bibliothèque est en feu (1956)


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