David Farrant

David Farrant

David's primary inspiration stems from everyday scenes of human interaction, and he reproduces these against a living background of muted colours and complex shadows, in the hope that they "carry a mood and the possibility of an unfinished story which the viewer can share".

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"Le poète ne retient pas ce qu’il découvre ; l’ayant transcrit, le perd bientôt. En cela réside sa nouveauté, son infini et son péril"

René Char, La Bibliothèque est en feu (1956)


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